American Studies: The Harlem Renaissance

From RealCTY
Jump to navigation Jump to search
American Studies: The Harlem Renaissance
Humanities Course
Course CodeHREN
Years of Operation2002-2005
Sites OfferedCAR, JHU, SAR
Part of a series on
Realcty logo 20060831.png
CTY Courses
Category · Template · CAA Courses
Baltimore · Carlisle · Lancaster · Los Angeles · Saratoga Springs · Seattle
Logic: PoR
International Politics ·
Ethics · Existentialism
Philosophy of Mind
Cognitive Psychology · Linguistics
Newton, Darwin, and Einstein
The Art and Science of Filmmaking
Beyond the Binary: A Cultural History of Gender
Laws and Orders: Legal Systems Around the World
Writing Your World
Fiction and Poetry
Utopias and Dystopias
Persuasion and Propaganda
The Art of Fiction
Probability and Game Theory
Number Theory · Mathematical Logic
Cryptology · Combinatorics and Graph Theory
Macroeconomics and the Global Economy
Fundamentals of Microeconomics
Computer Science
Data Structures and Algorithms
Fundamentals of Computer Science
FPHS Biology · FPHS Chemistry · FPHS Physics
Paleobiology · Genetics · Neuroscience
Investigations in Engineering
Introduction to Biomedical Sciences · Electrical Engineering
Special Relativity
Princeton & Berkeley
Global Politics: Human Rights and Justice
Human Nature and Technology
Politics and Film · Epidemiology
The Mathematics of Competitive Behavior
Science, Technology and Public Policy
Race and Politics · Politics in the Middle East
The Global Environment
Playing God: The Ethics of Human Subjects Research
You Will Be Offended: Satire, Comedy, and Public Discourse
Defunct Courses
Beginning Ancient Greek · German 1
German 2
Latin 2
French 1 · French 2
Great Revolutions
American History
Modern European History · Eastern European History
Music Theory
History of Western Art
Renaissance Art
Introduction to American Studies: Race and Class
Medieval Art
Twentieth Century Art · Gandhi's India
American Studies: The Sixties · Women and US Social Reform
American Studies: The Harlem Renaissance
Intermediate Ancient Greek
Islam · The Asian Pacific Rim
Russian History
TCE: Literature and the Arts · TCE: Popular Culture
The Crafting of Drama
The Crafting of Poetry · TCE: Shakespeare
TCE: Science Fiction
TCE: Beyond the Ring and the Wardrobe
Advanced Mathematical Modeling
Advanced Mathematical Reasoning
Statistics · Calculus: A Conceptual Approach
Topics in Precalculus
Set Theory · Digital Logic
Theoretical Foundations of Computer Science
Introduction to Laboratory Sciences · Archaeology
Microbiology · Selected Topics in Advanced Biology
Selected Topics in Advanced Chemistry
Selected Topics in Advanced Physics · Physical Anthropology
Advanced Physics: Mechanics
Scientific Investigations: St. Mary's River · Genomics
Etymologies · Oceanography: The Hawaiian Pacific
Life Cycle of an Island: Hawaii
The History of Disease · The Critical Essay: Film
Wicked Art: Pictures, Pixels, and Pens
Latin I
Goodwives and Witches: Women in Colonial America
Freaks and Geeks in Popular Media
The Digital Revolution
Advanced Robotics
Theory of Computation
Individually Paced Mathematics Sequence
Service, Leadership & Community Transformation
Advanced Cryptology
Law and Politics in US History
Intro to Organic Chemistry

Course Description

From the CTY Course Catalog (2002):

Among the many cultural developments of the 20th century, perhaps none was more profound than the explosion of creative activity among African Americans in Harlem throughout the 1920s and beyond.

In this course, students examine the historical factors and social conditions that spawned the literary, artistic, and musical endeavors of various African Americans whose creativity defined the Harlem Renaissance. They consider the works of writers and artists including Countee Cullen, Zora Neale Hurston, Nella Larsen, Claude McKay, and Loïs Mailou Jones as both a reaction to and a product of the broader African-American experience in the United States. From poet Langston Hughes' "The Negro Speaks of Rivers" to sculptor Sargent Johnson's Forever Free, students contemplate how such pieces sought to celebrate African heritage while at the same time inspire the rebirth of a race. Additionally, students examine the Harlem Renaissance as it related to the social commentary of African-American intellectuals of the period, such as W.E.B. Du Bois' condemnation of social injustice, Marcus Garvey's Back to Africa movement, and Alain Locke's concept of the New Negro.

This class asks students to draw sophisticated connections between historical events and cultural representations. Emphasis is placed on critical reading and writing, as well as developing advanced research skills.